Warning
First Look Pictures has done this film and viewers a disservice. Aside from cutting 23 minutes from the original theatrical release, thereby making the narrative chopped and damaging the more fluid presentation of the original film, they have also overly saturated the color and brightness of the film during the reminiscent episodes, as well as some of the segments concerning the "Reds." I will applaud them for providing better clarity in the sound reproduction for dialogue, but ultimately would recommend avoiding this blu-ray transfer (as well as their regular DVD, due to similar editing)in favor of the original theatrical release, which is available through various vendors: RedSun DVD; DVD Asian; or YesAsia. Alternatively, try to track down an Asian blu-ray that presents the original run-time and that also offers a better quality transfer than First Look.
"To Flourish Is To Fall ~ Life Is All About Goodbyes"
Recipe for Film: Begin with one female assassin/warrior (Kaori Moimoi) worthy of the Goddess Kali in her most destructive form and place her in an 1800's Asian/western setting (Asian western?). Then find a tall, mysterious actor (Hideyaki Ito) who can pull off a Clint Eastwood-like persona to play the new stranger in town and another actor (Masanobu Yoichi) in an adversarial role who looks like he just stepped out of an Anime drawing. Simmer slowly while adding a generous portion of Kurosawa nihilism for 121 minutes until the screen is red with blood and just about everyone's dead. Dinner..., I mean entertainment is served!
That in a nutshell is Takashi Miilke's 'Sukiyaki Western Django'. If you enjoy; surreal imagery, subtle (and not so subtle) parody, faux depth and lots of death and destruction this is the film for you. And if that's not enough to keep you entertained how about taking a look at the lovely Yoshino Kimura as the ill-fated Shizuka? This one is certainly...
"Payback is a b!tch, and she's in heat!"
Takashi Miike is the very definition of a visionary filmmaker. To call him the most prolific director on the planet might be the understatement of the decade. The man churns out film after film with staggering variety, endless creativity, and a lot of style while never failing to smash every boundary of taste and genre. He's conquered the heights of truly disturbing horror, redefined disgusting, shown us horrific violence, that love is torture, and spoofed the superhero genre as well while making as many as nine films in a single year. No joke. So having crossed every line possible, what's left? Why not bring a katana to a...
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